Let's Talk Off Broadway

Yvonne Korshak reviews Off-Broadway, Broadway, Film and Art

Tag: Stephen Schwartz

Review | Shakespeare’s As You Like It | Directed by John Doyle | Bay Street Theater, Sag Harbor, Long Island

…  without enchantment …

As You Like It is a wonderful play so that, even with this disappointing production, it’s not a wasted evening.  The language is so powerful and some of the scenes so funny that they surpass the flat interpretations they receive here, and in particular two actors —  André de Shields and Leenya Rideout – are satisfyingly perfect!

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Review | Working, A Musical | From the Book by Studs Terkel | Adapted by Stephen Schwartz and Nina Faso | Contributions by Gordo Greenberg | Prospect Theater Company | 59E59 Theaters

… singing about work …

People talked about working in Studs Terkel’s oral history book of 1974, Working:  People Talk About What They Do All Day and How They Feel About What They Do — in Working, the musical, they sing about it.

It’s a great idea — as composer and lyricist Stephen Schwartz — of Godspell and Wicked —  thought when he first brought Working to the stage not long after the publication of Terkel’s book.  Revised and performed through the years, in its current version it’s an engaging and at times moving series of fine musical numbers (though I wish there were no rhymes, see below), beautifully performed by a cast of six who, all in all, take the parts of twenty-six characters and sing in the ensemble.

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Opera Review | Seance on a Wet Afternoon | Opera with Music and Libretto by Stephen Schwartz | New York City Opera

I thought an opera, Seance on a Wet Afternoon, would likely be an exciting stretch for a talented musical theater composer and lyricist like Stephen Schwartz, author of Godspell, Pippin and Wicked, but that’s not how it turns out.  The singing and acting, especially that of Lauren Flanigan as the medium and Melody Moore as Rita Clayton, is on a high level and the two children, Bailey Grey as Adriana and Michael Kepler Meo as Arthur, are impressive, but everybody could use a better opera.

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