… fun! …
See this play and you’ll have a good time!
“Sometimes there is no why … ” The Mariner
In Albatross, Benjamin Evett gives us a surpassing performance in a magnificent play.
Alone on the stage, Benjamin Evett contends with the wind and waves, the details of his ship’s rigging, loneliness, madness, thirst, hunger, loss, memories, yearnings, cruelty, and the guilt of having caused the arbitrary death of an innocent, friendly creature. His is an ultimate human voyage. We are lucky to have so compelling an actor as Evett to take us on this journey: he keeps us tight beside him all the way.
… No wonder …
George Orwell, an avowed socialist, arrives in the U.S. at the height of fear of the “Communist menace,” shortly after World War II, to promote Animal Farm (1945) on a book tour.
It never happened but what if?
… doing it all …
In a 90 minute fest of music, wit and insight, the multi-talented Hershey Felder sings, talks, and plays the piano through the life and art of Leonard Bernstein.
… enough is never enough …
This play is quite an accomplishment and delightfully imaginative: using black comedy, the macabre and fairy tale, Philip Ridley creates a hilarious — but tense and compelling – social critique, and a parable of the downside of contemporary consumerism. And the acting is phenomenal – witty, energetic, and totally on target.
… but how do you know? …
In a conference room of a management consultant firm, a team has just sped home from work in Greece to take up the firm’s new fast-tracked project which turns out to be: how do you liquidate a couple of million people without anyone noticing?
Wide Awake Hearts lets us swim around the entangled love affairs of a set of four attractive people making a movie.
We’re in the affluent home of a hip movie writer, A, and his actress wife, B, who’ll star in his next movie. All characters are named with the first letters of the alphabet in order of appearance. Why? Perhaps because in pairing off as lovers, they mix and match as readily as letters make words. The entry of another man, C, and, eventually, another woman, D, into their living room cause recrimination, anger revelation, and a lot of screaming, something like Who’s Afraid Of Virginia Wolfe, although the characterizations are less rich than in Albee’s play.
… a terrific new musical is born …
Here is a really amazing idea – Songbird is a country music musical based in Chekhov’s The Seagull. While it stays quite close to the plot of the symbolist and heavily psychological end-of-the-19th century Russian drama, it soars on its own life-affirming wings.
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