Let's Talk Off Broadway

Yvonne Korshak reviews Off-Broadway, Broadway, Film and Art

Tag: world premiere (Page 1 of 2)

Review | The Painted Rocks At Revolver Creek | Written and Directed by Athol Fugard | Signature Theatre

The World Premiere of a Superb Play

Nukain is an uneducated black farm laborer working in South Africa during the period of apartheid who has nothing of his own but a vision: he paints brilliant designs on bare rocks, creating beauty out of bare bones nothing. This stunning play presses forward with the intensity of a Greek tragedy.

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Review | The Nomad | World Premiere | Book and Lyrics by Elizabeth Swados and Erin Courtney | Composed and Directed by Elizabeth Swados | Choreographer Ani Taj | Flea Theater

… nothing missed …

Teri Madonna and Friend Photo: Isaiah Tanenbaum

Teri Madonna and Friend Photo: Isaiah Tanenbaum

The opening afternoon of The Nomad was a cold winter Sunday: we made it from the subway to The Flea as falling snow cloaked everything in all-over veils of white to gray … and then the show began.  What a burst of color, brightness, and music, what delicious vibrance, as the play carries you to North Africa and its hot deserts.

With insistent percussive music saturated with North African overtones, theatrical effects to delight and astonish, and the superb performance of Teri Madonna in the lead role, it tells the story of Isabelle Eberhardt (1877-1904), a well-educated Swiss woman who left Europe to immerse herself in North Africa culture and the Sahara desert.  She dressed as a man for the freedom it afforded her, converted to Islam, married an Algerian, wrote about North Africa, and died in a flash flood and died at the age of 27.

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Review | My Life Is A Musical by Adam Overett | World Premiere | Directed and Choreographed by Marlo Hunter | Bay Street Theatre, Sag Harbor, Long Island

It feels exciting and even uplifting to attend the first performance of a new show.  This one, My Life Is A Musical, has a cute idea, some amusing moments, and some fine performances from its principals and excellent ensemble players.  On the other hand, the characters are thin, the story loose with predictable outcomes, and the music uninventive.

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Colin Waitt as Jesus and the cast. Photo Jonathan Hollingsworth

Review | The Mysteries, 52 Episodes From the Bible Written by 48 Playwrights | World Premier | Conceived and Directed by Ed Sylvanus Iskandar | Dramaturg Jill Rafson | Featuring The Bats | Flea Theater

The Mysteries is one whopper of a project!

It’s an epic telling of the Old and New Testaments, referring to Medieval and later “mystery plays” of the life of Christ, 52 episodes more or less in sequence divided into three parts:  The Fall, The Sacrifice, The Kingdom.  Written by 48 playwrights, it’s performed by 54 actors who act, sing and

Sarah Keyes of the Angel Chorus. Photo Hunter Canning

Sarah Keyes of the Angel Chorus. Photo Hunter Canning

dance 78 parts or so in 5 ½ hours, all taking place on the relatively small performance space of the Flea, with the audience in touching distance of the actors, and not only that, it includes dinner! .

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Review | And Away We Go by Terrence McNally | Directed by Jack Cummings III | World Premier | Pearl Theatre Company

… all the stage’s a world …

The back stage magic of And Away We Go makes me think of the wonderful song about a dogged and devoted itinerant theater group in Cole Porter’s Kiss Me Kate, “We Open In Venice” (“then on to Cremona …. and on to …. and on …”).  And Away We Go, too, is on the move — with the feel of a story about an equally valiant itinerant theater troupe only here the wanderings take them not just through Northern Italy but through time, back and forth.  This  imaginative, mind stretching extravaganza is beautifully pulled off by the Pearl Theatre group.

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L-R Danny Rivera as Pedro, Ariel Woodiwiss as Lena, Kathy Najima as Phyllis, Reg E Cathey as Pontius. Photo Hunter Canning

Review | Heresy by A. R. Gurney | Directed by Jim Simpson | Flea Theater

Heresy is topical, very funny, and totally enjoyable modern parable filled with references to today’s politics and based, roughly, on the life of Christ.  Some of the characters have Biblical names, like Mary for the mother of Chris, her idealistic, purist son currently in jail.  But Gurney’s a wonderfully surprising playwright so you can’t guess from that what to expect.

Gurney's Heresy at the Flea Theater

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Review | Looking at Christmas by Steven Banks | Directed by Jim Simpson | Flea Theater | World Premiere

News Flash 12/15/2011:  The Flea’s Romantic Holiday Comedy
Looking at Christmas Comes to TV
December 21 – 25 on Thirteen WNET

Thirteen WNET will air The Flea Theater’s acclaimed 2010 production of Looking at Christmas by Steven Banks (head writer of SpongeBob SquarePants) beginning December 21. Filmed live at The Flea last year, this romantic comedy set in front of New York’s famed holiday window displays is directed by Jim Simpson and features The Bats, The Flea’s resident company of actors. Broadcasts on Thirteen WNET are slated for Dec. 21 at 10pm; Dec. 23rd at 3am, and Dec. 25 at 11pm. Check your local listing for airdates in other markets.  Here’s the review (Dec. 2010 )

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Review | Looking at Christmas by Steven Banks | Directed by Jim Simpson | Flea Theater | World Premiere

The Flea’s Romantic Holiday Comedy
Looking at Christmas Comes to TV
December 21 – 25 on Thirteen WNET

Thirteen WNET will air The Flea Theater’s acclaimed 2010 production of Looking at Christmas by Steven Banks (head writer of SpongeBob SquarePants) beginning December 21. Filmed live at The Flea last year, this romantic comedy set in front of New York’s famed holiday window displays is directed by Jim Simpson and features The Bats, The Flea’s resident company of actors. Broadcasts on Thirteen WNET are slated for Dec. 21 at 10pm; Dec. 23rd at 3am, and Dec. 25 at 11pm. Check your local listing for air dates in other markets.  Here’s the review.

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Review | Banished Children of Eve by Kelly Younger | Adapted from the Novel by Peter Quinn | Directed by Ciaran O’Reilly | World Premier | Irish Repertory Theatre

… only four days …

This is an important play about the effects on individual lives of the Civil War draft riots in New York City.  Since $300 would get you out of serving, it was easy enough to see the draft hit poor men unfairly, stimulating poor vs. rich antagonisms which, however, fast turned racial — setting poor Whites against Blacks.  During four days in July 1863, a Black man, woman or child could not walk the streets in safety or hide in safety, and many were murdered.  In  this play, the immigrant Irish represent the poor side of that equation.

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Review | John Ball’s In the Heat of the Night | Adapted by Matt Pelfrey | Directed by Joe Tantalo | World Premiere | Godlight Theatre Company

If you want an electric evening of theater, see In the Heat of the Night.  It’s an exciting detective murder mystery story, enlarged by its vivid, shocking portrayal of what it meant to be a Black man in the deep South in the 1960’s.  The play could not have a more dramatic presentation than the production at 59E59 Theaters where the audience, two rows deep, sits on four sides of the square stage.  You can’t get away from the action and — grim as it can be — you don’t want to.

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