… humanity …
This is a rare opportunity to see one of the finest and most compelling works of art ever made. The bronze Boxer* is somewhat over life-size but so immediate it’s hard to think it’s not a “real” man — and a man of total experience: exhausted but powerful, brutalized but handsome, dazed by what’s hit him but alert for whatever’s coming his way. Ready.
… sexual coming into being …
The Young Archer now on view at the Metropolitan Museum of Art is a sculpture of sexual discovery. The nude, sensuous, sinuous, lightly built, somewhat effeminate youth, an object of desire, draws an arrow from his quiver with a dreamy look. And what a quiver — made from the paw of a leonine animal: long, thick, strong, feral, in every way a contrast to the slim, delicate boy. In this play of contrasts, the boy’s act of drawing out his arrow from the quiver becomes a nascent sexual act. (see the three photos of the Young Archer below)
Did Michelangelo carve the Young Archer? There’s little or no evidence he did.
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