… inadvertent …
Among the Fugard plays I’ve seen, this — possibly excepting the iconic The Island — is the finest. It’s intense, with a driving force. Especially interesting, although race figures importantly, the tragedy isn’t driven by race but by common humanity — weaknesses and all. I wonder if some would argue that point. It’s certainly not characteristic of Fugard. But just as the characters transcend race, so does the play’s driving idea.