… Where art Romeo and Juliet? …

What I liked best about this Classic Stage production of Romeo and Juliet was the depiction of the men around the Montague Romeo and those around the Capulets as young toughs with a contemporary style.  Nothing new about that, of course, think of West Side Story, and Shakespeare in contemporary dress is commonplace.  But Harry Ford (substituting the night I attended for T. R. Knight), with his thick body packed into leather and to-the-head corn rows makes a charismatic Mercutio, volatile, dirty-mouthed, amused and amusing, and the rest of the guys fit in to the idea, though they’re not consistently as convincing. 

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