The National Theatre has a great reputation for brilliant staging of old and new drama based on historical fact, to which witness the great success of The White Guard, Coram Boy, and Pitmen Painters, on the last of which I have written previously. This reputation remains intact with the present production, despite lesser success in my own view and the average of very varied reviews received (2 to 4 out of 5 stars).
- Art Review | Thomas Hart Benton’s America Today Mural Rediscovered | Metropolitan Museum of Art
- Art Review | Boxer at Rest, Greek bronze sculpture of the Hellenistic period, late 4th-2nd century B.C., loan exhibit | Metropolitan Museum of Art, NYC, June 1 – July 15, 2013
- Review | Bike America by Mike Lew | Directed by Moritz von Stuelpnagel | Ma-Yi Theater Company
- Review | Charles Dickens' Hard Times | Adapted by Stephen Jeffreys | Directed by J. R. Sullivan | Pearl Theatre Company
- Review | Blood Knot | Written and Directed by Athol Fugard | Starring Colman Domingo as Zachariah and Scott Shepherd as Morris | Signature Theatre
59E59 Theaters A. R. Gurney Anton Chekhov Atlantic Theater Company Austin Pendleton awards Bay Street Theatre Bertolt Brecht Brian Kulick Charlotte Moore Cherry Lane Theatre Classic Stage Company David Greenspan David Ives Ensemble Studio Theatre Eugene O’Neill festival Flea Theater Foundry Theatre Fringe Festival Guild Hall Irish Repertory Theatre J. R. Sullivan Jim Simpson La Mama Metropolitan Museum of Art Mint Theater Company Moliere musical National Theatre New York Theatre Workshop North Fork Community Theatre Pearl Theatre Company political theater press release Public Theater Sean McNall Shakespeare Signature Theatre Tennessee Williams The Bats Thomas Bradshaw Woody Allen Wooster Group world premiere