Let's Talk Off Broadway

Yvonne Korshak reviews Off-Broadway, Broadway, Film and Art

Tag: opera

Review | The Forgotten Woman | By Jonathan Tolins | Directed by Noah Himmelstein | Bay Street Theatre, Sag Harbor, Long Island

… opera with no music …

If you think you’re too fat or hate opera, maybe you’ll like this play about a fat but successful opera singer who isn’t so sure she likes opera either.  Otherwise …

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Bray Wilkins and Sarah Beckham Turner in SLOW DUSK. Photo Buckman

Opera Review | Slow Dusk and Markheim by Carlisle Floyd | New Chamber Arrangements by Inessa Zaretsky and Raymond J. Lustig | Little Opera Theatre of NY | 59E59 Theaters

What a wonderful evening of theater.  Two short American operas, narratives set to dramatic music, superbly performed.  One leaves thrilled and elated.

L-R Jennifer Roderer, Sarah Beckham-Turner, Alexander Charles Boyd in SLOW DUSK. Photo Buckman

L-R Jennifer Roderer, Sarah Beckham-Turner, Alexander Charles Boyd in SLOW DUSK. Photo Buckman

Slow Dusk takes us from commonplace to ecstatic, to tragedy, from afternoon to dusk.  Aunt Sue is shelling peas on the porch of a farmhouse in the Carolinas when Jess comes in from the fields, we learn of their concern about their niece, Sadie, who’s seeing to much of Micah — his family belong to the Truelights and they belong to the Disciples, and anyhow she’s smart and he never finished eighth grade.  They’re wild for one another and agree to marry but — not family as in Romeo and Juliet — accident intervenes, as fast as it can in life. 

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Opera Review | Seance on a Wet Afternoon | Opera with Music and Libretto by Stephen Schwartz | New York City Opera

I thought an opera, Seance on a Wet Afternoon, would likely be an exciting stretch for a talented musical theater composer and lyricist like Stephen Schwartz, author of Godspell, Pippin and Wicked, but that’s not how it turns out.  The singing and acting, especially that of Lauren Flanigan as the medium and Melody Moore as Rita Clayton, is on a high level and the two children, Bailey Grey as Adriana and Michael Kepler Meo as Arthur, are impressive, but everybody could use a better opera.

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